What do I mean by this? In the native Apple camera app, image information from multiple cameras is used to create one final composite image.įor example, when you switch to the telephoto camera, both the wide and telephoto cameras are used to create the final image. These sources can be the individual camera modules, or multiple exposures from the same camera. Apple’s camera system is able to create a single image computationally from multiple sources. It is synthesized virtually using the best information from multiple sources. Computational imaging disassociates the recorded image from the direct capture of light. There is one really significant change in the iPhone 11 that points in the direction Apple is taking it’s imaging system.įor the first time, Apple has begun to employ the cameras together.

Filmconvert delivered the final piece of the puzzle with Filmconvert Nitrate.īefore I get into what makes the iPhone 11 Pro Max the best iPhone for cinematic video yet, I want to make sure you understand some context about my approach to iPhone video. This post workflow is the culmination of two years of experimentation and post production work. The video demonstrates the best of what I’ve been able to achieve in terms of a film look from video shot with the iPhone 11 Pro Max. This is a straight up Kodak 5207 Vision 3 camera stock plus print film emulation. This workflow incorporates a custom FiLMiC LogV2 to ARRI LogC transform and the FilmConvert Nitrate plugin in DaVinci Resolve. This fast turnaround and film like color are thanks to a new color workflow I’ve been developing. The only accessories I used are the Ulanzi Video Cage for iPhone 11 Pro Max, a few simple step up rings, and the 67mm 6-9 Stop PolarPro Peter McKinnon Edition Variable ND Filter. It was also edited and color graded in only a few hours.

This video was shot around Dubai Creek in a few hours.

Iphone 11 pro max photo print size